| Break your swing up into several parts. At the | | | | at odd moments. |
| address position, your arms and chest form a triangle. | | | | Next start the down swing by turning your left hip, |
| Practice the take away by moving this triangle in one | | | | and then continue the next part of the down swing |
| piece without changing any of the angles, which | | | | until you are just behind the ball. |
| means no wrist movement. | | | | This time with a club, note the squareness or |
| Take your club to waist height and stop there. | | | | otherwise of the club face. |
| Practice this over and over again, during the day | | | | Next, with a club, start with club head just behind the |
| when you have an odd moment. | | | | ball and continue your swing making sure you have |
| You do not have to have a club in your hand. | | | | firm wrists and that you are hitting with you arms. |
| Simply adopt the grip position of the hands by holding | | | | Continue through to the finish of the follow through, |
| your left thumb with your right hand. | | | | making sure that your right forearm crosses over |
| It is essential that you do not use your wrists in the | | | | your left on the way. |
| take away. | | | | Practising during the day as often as you can will |
| Next take your swing to the top and look at your | | | | result in a grooved swing for you that will happen |
| hand and arm position. | | | | each time you hit the ball with very little conscious |
| Assume this position by performing your backswing | | | | thought or mental input from you. |